Category: Society

The Case of Rising Divorces in China amid COVID-19 Lockdown

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Bihu Chamadia, Research Intern, ICS

China announced a nationwide lockdown on January 23 to combat the Coronavirus outbreak. As soon as there was a visible decline in the number of reported cases of COVID-19 in China, the rules of lockdown were eased and many government offices started to function normally. While China tries to pull itself out of the pandemic, there has been another outbreak in the country: the rising cases of divorces.

After the government started lifting the lockdown in late February, marriage registration offices of various districts started receiving high number of divorce cases. The offices of many districts in Xi’an city of Shaanxi province received a record number of divorce cases. According to local Chinese sources, the incoming divorce cases in the marriage registration office in Yanta district in the city of Xi’an had surged to the point where the marriage registration office did not have vacancy till 18 March this year. The situation was similar in other parts of China including Beijing, Shanghai, Yunnan and Sichuan.

Even though an increase in divorce cases is a common trend in China after the Spring Break, according to a report in Global Times, compared to the same period last year, there has been a surge in the number of divorce cases this year. In Tongzhou district in Sichuan Province, the Civil Affairs office received 232 cases from late February till end March, while the number of divorce cases registered last year during the same period was 180.

Marriage as a social institution in China has been facing serious challenges since many years. According to the Ministry of Civil Affairs, there has been a significant hike in the rate of divorce since the reform and opening up era. But this trend witnessed a steep rise after the liberalisation of Marriage Law in 2003. Once considered a taboo, even the number of divorce cases doubled in the past one decade. In 2010, the total number of divorces in China stood at 1.96 million which has more than doubled recently. Recent figures mentioned by Ministry of Civil Affairs, shows that it stood at more than 4 million in 2019.

The  closing down of factories during the lockdown which had led to the laying off of workers and a dip in household income, was one of the primary factors that contributed to rising tensions between married couples during this period. Moreover, the gendered nature of household chores, where it was socially accepted that men who worked outside the household did not have time to lend a helping hand for household chores, was effectively busted during the lockdown when work happened from home; household work was still managed by the female partner during the lockdown. Women had to shoulder the entire burden of household duties including grocery-shopping and taking care of children with little to no help from her male counterpart. While these issues existed earlier, the lockdown period witnessed an overlapping of mental pressure along with problems such as inequality, gendering in roles and stereotyping of work which eventually accelerated divorce cases after the lockdown was lifted.

Infidelity was another major reason for divorce among married couples. The changes in the Marriage Law in 2003 allowed wives the right to divorce if the husband was abusive or had an extramarital affair. Many cases of infidelity were uncovered during the lockdown which otherwise would have remained under the veil during normal conditions. According to a 2016 report in Global Times, on an average 75% of the divorce cases filed are due to infidelity. In a speech made of 6 November 2019, Zhou Qiang, the Chief Justice of China’s Supreme People’s Court mentioned 74% of the total divorce filed between 2016-2017, were initiated by women.

While issues such as infidelity, financial issues and non-sharing of household burden have been the most common reasons for divorce in China, the lockdown aggravated these issues and exacerbated tensions between couples, and even led to a spike in cases of domestic violence. Divorce lawyers, in particular, have noted an increase in cases related to divorce and pointed that problems which would  have earlier been a cause of little strife in the household were now leading to divorces due to an increase in interaction between couples during this period.

A combination of better socio-economic status leading to new aspirations, increasing tolerance among the masses towards divorce have influenced this trend. But most importantly, the liberalization of the marriage laws in 2003 played a significant role in the rise in divorce cases in China. Changes in the marriage laws in 1981 and 2001  led to a gradual increase in the number of divorce over the years but it was after the amendments in the Marriage Law in 2003 such as lower cost of filing divorce, faster pace of granting divorce and non-requirement of employer’s approval for filing a divorce which made it easier for women to seek divorce leading to the number of divorce in China rise exponentially after 2003 (see graph below).

Parallel to these developments was the rising average income of the female population in China since the reform and opening up.  As average female income rose, the number of divorces also began rising. Earlier, job stability and owning a house were enough for a woman to ‘settle down’ but as women become increasingly educated and financially independent, their expectations also expanded. They no longer accepted to live in an abusive marriage or marriages where there was no compatibility. Moreover, while in the past, custody of the child was often given to the ex-husband after divorce and the wife was ostracized and faced difficulty finding a job – a major deterrence for women to seek divorce- this has changed today due to change in the level of income of women in China. Therefore, an already rising trend in the number of divorce cases witnessed an acceleration during the lockdown period when couples were forced to live together.

Although revoked, the demographic shifts caused by the One-Child policy is now causing a ripple effect both on China’s economy as well as the society. A rapidly ageing  population and a fall in the average age of workforce have become a major concern for the central government as it grapples with lower birth rates and shortage in cheap labour. In 2019, China’s birth rate fell to its lowest in seven decades causing massive concern of the CCP. China’s population dwindles and the rate of marriage also goes down, the Chinese government fears that the number of workforce, taxpayers and consumers will also witness a steep fall.

The growing concern of the government towards rising divorce cases is reflected in the measures taken to address to issue such as free counselling for couples and the introduction of a “cooling off” period to slow down the divorce rate. While earlier it was adopted only by a few local courts, recently, the 13th National People’s Congress that took place in May 2020, voted in favour of adopting ‘cooling off’ as a part of China’s first ever Civil Code. This has caused a massive outrage  among the Chinese population where the Party has been accused of abandoning progressive ideas of promoting gender equality. On the other hand, family planning policy which, in 2016, was amended to allow married couples to bear two children has been absent from the 2018 Civil Code draft. This has led to speculations of government further easing the restrictions on family planning or scrapping the bar altogether on the number of children a married couple could bear.

Despite government efforts to prevent any fissures in the institution, and its push to preserve “traditional values” for a stable and “harmonious society”, divorce cases in China continue to rise. The Covid pandemic has only acted as a catalyst that has unravelled the pre-existing fractures in the society and economy. Rising costs of social pension and shortage in supply of cheap labour have created a huge burden on the falling GDP of the country. As demographers warn that China’s population will begin to shrink in the next decade derailing China’s economy with far-reaching global impact, the need to preserve the institution of marriage has become even more important. The recent adoption of the Civil Code where marriage takes up considerable space in the text of the Code exhibit the gravity the case of rising divorces pose for Beijing.

COVID-19 Crisis: Is the Communist Party of China facing a Crisis of Legitimacy?

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Mahesh Kumar Kamtam, Research Intern, ICS

Today the world is witnessing an outbreak of a pandemic ‘COVID-19’, unseen in the recent past, illustrating the fragile nature of a globalized world. As the virus outbreak continues to create global reverberations, the case of ‘COVID-19’ becomes even more relevant to the Communist Party of China (CPC). The pandemic could put the regime in a precarious position, threatening the unwritten social contract between CPC and Chinese people, since the legitimacy of the Party is driven by its ability to deliver economic prosperity to its citizens.

China is more connected to the world today than in the past. According to the World Economic Situation and Prospects Report 2020, released by the United Nations Commission on Trade and Development (UNCTAD), China alone contributed 0.75 percent out of an average 3 percent of the global growth. These indicators not only reflect a major trend in globalization, but also the extent to which China is connected in a globalized world. Global economic integration has driven China’s domestic growth in the past. But with global growth set to slow down significantly due to COVID-19, early predictions show signs of recession. As the IMF rings alarm bells on a possible recession, CPC is set for more challenging times as the world enters an era of instability driven by COVID-19.

Increasing global integration and complex challenges due to globalization have domestic repercussions. The inability to maintain economic growth and rise in inequality fuelled by low growth in future are more immediate threats that could undermine the social contract between the people and the Party causing domestic instability. The rise in ‘uncertainty’ casts a shadow of doubt on the goals set forth by the Party, particularly when China is entering into a “New Era”—where Xi Jinping targets to achieve a “moderately well-off society” (Xiaokang society) by 2021— the hundredth anniversary of the formation of CPC.

What is more worrying for the CPC at the moment is the echoing of the anger from Chinese people themselves against Xi’s rule. Xi has been facing criticism of his handling of the COVID-19 crisis and social stability threatened by a slump in production are one of the biggest challenges that CPC is set to face in the next few years. Although CPC has shown the ability to manage ‘domestic uncertainties’ by delivering economic results, mastering propaganda and controlling the flow of information in the past, these strategies are becoming increasingly ineffective for ensuring legitimacy of the Party and its leadership.

There was mounting discontent among Chinese citizens in the early stages of the outburst of COVID-19 as local officials tried to hide the truth about the outburst. The death of Li Wenliang, the doctor who alerted Chinese local officials during the early stages of the virus outbreak, became a breaking point. Li was forced into silence by local officials who hid the truth about the outburst. This event led to widespread discontent among netizens. Popular social-network sites Sina Weibo and WeChat surfaced with the lyrics of a song, Do you hear the people sing” popularized during the Hong Kong protests in 2019, denoting public anger and failure of early response to COVID-19. CPC blocked the ‘anthem of protest’ in mainland China and subsequently, launched a massive propaganda operation to regain lost legitimacy. Eventually, it was forced to sack Hubei Party chief Jiang Changling and Wuhan mayor Ma Guoqiang in an attempt to calm down public anger and channelize resentment away from the Centre while trying to alleviate growing citizen distrust of the central leadership and Xi, in particular.

The newly appointed Provincial Secretary of Wuhan launched a “gratitude education campaign” during the outbreak, to create a favourable impression of party’s image in fighting COVID-19. However, it backfired as the Party was criticized for placing itself above the hardship endured by Wuhan residents. They were enraged because of poor conditions in hospitals, lack of adequate timely care and soaring food prices. In yet another instance, real estate tycoon and princeling, Ren Zhiqiang penned a powerful article that got circulated on Weibo. He was critical of Xi’s handling of the COVID-19 crisis and called him “a clown with no clothes on who was still determined to play emperor”.

These incidents provide early indications of Xi losing control over the CPC narrative and thereby, his legitimacy to lead. However, Jude Blanchette, Director of China Studies program at the Center for Strategic International and Security Studies argues that the “CPC has reoriented itself from time to time to meet the changing demands in the society and CPC is more focused on ‘long-term threats’ than the short term disruptions like COVID-19 crisis”.

Indeed, it is true to some extent that COVID-19 may be a short-term disruption rather than a long-term threat to the stability of the Party and Xi’s leadership. The mounting discontent against the state is a sporadic outburst of anger rather than a sustained and coordinated movement challenging the ‘Party’s mandate to rule’. However, we can still expect that it could bring more democratic order in Party though not necessarily democracy, by furthering “intraparty regulations”, promoting information disclosure particularly by local party offices at the time of emergency crisis like COVID-19, thus pushing for more transparency in the Party.

This article was earlier published in The WION under the title ‘Communist Party of China and the crisis of social contract in a globalised world’ on 13 April 2020.

Fang Fang: Literary Voice of Dissent Amid China’s Coronavirus Disaster

The party’s ill-governance of the deadly virus has given birth to a new critical voice: Fang Fang’s Wuhan Diary.

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Hemant Adlakha, Ph.D., Honorary Fellow, ICS and Professor of Chinese at Jawaharlal Nehru University in New Delhi.

Fang Fang 方方 picture

Fang Fang is definitely not the most famous living writer in China, but she is revered by hundreds and thousands of Chinese as the literary voice of COVID19-stricken China. Even before the outbreak, Fang had published widely in different genres and won several literary awards, including China’s most prestigious Lu Xun Literary Prize in 2010. Until recently, she served as vice president of the Hubei Writer’s Association. Having spent her early and late childhood during the tumultuous Great Leap Forward years and adolescent years in the cataclysmic decade of the Cultural Revolution (1966-76), she worked as a porter for four years to support her family before entering Wuhan University to study literature in her early 20s in the 1970s. Fang Fang’s early works, mostly short stories, concentrated mainly on poor Wuhanese – from urban factory workers to the city’s middle-class intellectuals – part of China’s “new realism” literature. Born into a literati family in 1955, she inherited the legacy of the May Fourth socialist realism and her own experiences of a struggling life made her remain committed to social consciousness. According to well-known Chinese literary critic Han Shaogong, “the secret of Fang Fang’s success is that she can capture the complexities of an ever-changing life without losing its thread.”  

Now, she is famous for another reason: her Wuhan Diary posted on social media. Also called the Quarantine Diary, the daily account of the locked down city’s millions of inhabitants’ untold sufferings during the ongoing health crisis has recast Fang Fang from a well-known literary figure into China’s most revered living literary voice of dissent. Her fans in China are already proclaiming her to be the conscience of Wuhan.   

On the night of February 7, Dr. Li Wenliang, who was reprimanded for warning about the coronavirus on social media, lay dead in the quarantine ward of the Wuhan Central Hospital. The same day, the first page of the Wuhan Diary was put up on Fang Fang’s WeChat account, and disappeared within hours. But before being taken down by China’s cyber censors, her Wuhan Diary had gone viral with thousands of re-posts. Fang Fang already enjoyed 3.5 million followers on social media even before she began chronicling her life during Wuhan’s quarantine. Wuhan Diary first appeared on day 14 of Wuhan’s lockdown. The latest page of the diary (as of this writing), entitled “Let’s see if you scare me!” was put up on March 20, on Day 57. “Dear internet censors, you should let Wuhan people speak,” Fang wrote recently, as quoted by Kiki Zhao in the New York Times.“If you don’t allow us to express our anguish or complaints or reflections, do you want us to go really mad?”

Interestingly, throughout nearly two months of lockdown and three months since the central authorities confirmed and publicly announced the coronavirus outbreak, each entry in Fang’s Wuhan Diary has been consistently deleted by Beijing’s censors within an hour or so of it being posted on Fang’s social media page. Yet each post has gone viral before being struck down, being shared by millions of WeChatters within China and abroad. More committed fans of Fang Fang are happily and with great enthusiasm sharing the entire series. Some of Fang Fang’s censored posts are being archived by China Digital Times (CDT) in Chinese, and Fang Fang’s Caixin blog is one of the multitudes of sources being preserved on the nCoVMemory Github, a repository of personal narratives from the outbreak in China.          

CDT has also translated her censored WeChat post entitled “As long as we survive” in which, as CDT puts it,“Fang Fang expresses the frustrations of lockdown, laments the many displaced and affected by the virus, lauds the brave journalists attempting to uncover truth amid propaganda, and demands accountability from those who allowed the situation to develop.” The post begins:

“It is cloudy again and a bit chilly, but not too cold. I walked out to look at the sky. A sky without sunshine is somewhat gloomy and dismal, I thought. The article I posted on WeChat yesterday was deleted again, and my Weibo account has also once again been blocked. I thought I couldn’t post on Weibo anymore, and then found out that they only censored yesterday’s post and that new posts can still be published. It made me instantly happy. Alas, I am like a frightened bird. I no longer know what I can say and what I can’t. When it comes to something as important as this fight against the epidemic, I’m cooperating fully with the government and obeying all their commands. I’m now just short of taking an oath with a fist over my heart – is this still not enough?”

It is no exaggeration to say the ongoing swelling debate over Wuhan Diary on both WeChat and Weibo – China’s main social media platforms – has led to a near vertical split among the country’s educated millions. Viewed in the context of how Charter 08, a manifesto for constitutional reforms issued by Liu Xiaobo and others, jangled the nerves of the Communist Party of China more than a decade ago, Wuhan Diary and the emerging discourse it has triggered have to be understood in the context of political criticism at home during the current health crisis, the critics in China are telling us. Of course, both supporters and opponents of Fang Fang can be found in large numbers.For example, one online group of Fang’s detractors spelled out 20 reasons why Wuhan Diary deserves to be rejected and condemned. Reason 20 for “Why we are opposed to Fang Fang” — as the group is called in English – reads: “Some people are really weird and crazy. The more they have to appear in front of the public, the more they show off. These people easily get excited and go berserk. They fiercely start attacking all those who disagree with them. When provoked, these people will not only bully others. They will even pull out a gun if necessary!” But each Wuhan Diary post has also inspired hundreds of her supporters and eliciting comments from them. One comment reads: “Dr. Li Wenliang and Wuhan Quarantine Diary are ‘flowers of thought’ and ‘flowers of Wuhan’ that bloomed in the blood and tears of Wuhanese people during the epidemic period. Blooming in spring in early February, she is destined to be ‘cold and crystal clear’ and eye-catching. I hope she is always blooming.”     

The controversial and at times acrimonious debate over Wuhan Diary touches on a wide range of issues – political, social, cultural. But a fundamentally disturbing aspect of the debate invokes the specter of the Cultural Revolution. A few days ago, an “open letter” written by a 16-year-old boy challenging Fang Fang, not only sent shockwaves through China’s netizens but it shook everyone who had experienced the 10 chaotic years of the Cultural Revolution – including Fang Fang. The reason for the shock, according to Li Yongzhong, China’s leading anti-corruption scholar-expert, is that “our generation, including Fang Fang, always thinks that the Cultural Revolution has gone, at least our generation will never see the Cultural Revolution again.” But the open-letter by the high school student rekindled the memories of the nightmare that teenager Red Guards unleashed to commit violence, especially targeting intellectuals.        

Thus readers of Fang Fang, and perhaps even some of her detractors who were wounded during the Cultural Revolution, profusely thanked her for her befitting reply to her teenage provocateur in March 18’s Wuhan Diary entry: “Son, all your doubts will be answered sooner or later. But remember, those will be your answers to yourself.” And hundreds and thousands of Wuhanese and people all over China continue to impatiently wait for her next Wuhan Diary page.

This article was earlier published in The Diplomat under the title ‘Fang Fang: The ‘Conscience of Wuhan’ Amid Coronavirus Quarantine’ on 23 March 2020.

Situating Labour in a Pandemic: Corona Virus Outbreak’s Social Costs

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P.K. Anand, Research Associate, ICS

As the Chinese pick the pieces of the outbreak of the novel Coronavirus, COVID -19, and the much-vaunted State capacity becoming frail, the pandemic has left more than a trail of dead in its wake. The direct or indirect impact on various segments of the polity, economy and society are being seriously felt and some of the cascading and ripple effects may be in the long-term.

The economic ill-health has significant bearing for not just China, but also for the rest of the world; in fact, the slowdown of the economy predates the outbreak with surge in inflation, and structural factors complicated by the trade war with the United States. While the Chinese had scaled down from high- to medium-term growth in early 2015, with reference to the term ‘New Normal’, the slowdown reflected that things had veered away from the expectations.

Much before the National Day last year, the surging prices of pork (a staple ingredient in Chinese food), along with other red flags on the economic front, had signalled life becoming harder in China. In fact, the pork prices have continued to rise amid shortages during the lockdown.

The ‘manufacturing centre of the world’ tag has taken a hit, as factories, enterprises and production units across China are either still closed or yet to restart completely, with cases of even an extension of the Lunar New Year holiday. Being the centre of automobile production in China, Wuhan has borne the maximum impact. Further, the ripple effects have in effect ceased production in automobile factories in South Korea and Japan, as closure of factories manufacturing auto parts in China.

The prospects of an extension of the economic recession also carry social costs, with significant consequences for labour in China. The travel of migrant workers — the fulcrum of the Chinese urban manufacturing story — at the onset of the new year from cities to their home provinces was often visually showcased with fascination over the years. While this masks the weaknesses of the regional economies within China by illustrating the inequalities between coastal and inland provinces, the movement also causes apprehension of spread of the virus.

The workers are also confronted with a dilemma while making decisions on returning to the workplaces — the need to make income by selling their labour versus (in)adequacies of health safety. More often than not, circumstances condition the workers to choose the former. The more days the things remain in limbo and cause disruptions including non-availability of transport for workers to reach workplaces, the more rise in workers’ anxieties.

The workers in manufacturing enterprises and their significance have always dominated the discourse on labour in China, and therefore, their absence through closure of workplaces and dilemmas do command news space. However, of equal, if not more, importance are the workers in the services sector — those in essential services such as sanitation workers, security guards, drivers and those on the low-end, not only in China but also in Hong Kong.

Along with them, hundreds of workers employed to power the platform/gig economy are also on the frontlines, especially food delivery workers. Even though extra precautions are exercised through usage of safety equipment, reporting the body temperature of employees to customers and quality checks, the food delivery workers are under added pressure in addition to the need to make deliveries in time, even though heralded as lifeline during the pandemic, and valourised for their selfless service.

However, dig a little deep, and the rosy picture starts turning bleak — workers for platform services are among the most vulnerable and precarious workforces in China without adequate workplace protection, or entitlements, and are also victims of accidents in the rush to ensure speedy deliveries and for customer satisfaction. Moreover, the rating-driven ecosystem where a high number of deliveries become the benchmark for evaluation, frustrations and alienation also set in.

Avowedly, China has national laws to regulate work contracts and to implement social security, but the translation of the same into action on the ground remains lopsided and inadequate. Precarity is intermingled within the system, as tough urban registration system called hukou, that segments and stratifies residents, renders migrant workers in the services sector to the margins, without access to services in the city where they reside.

The (in)capacity of the local-state to come up with problem-solving solutions to properly integrate the workers in the services sector also has echoes in India; even though there is cognisance of the prevalence of informal workforce in the urban system, adequate legal/formal inclusive measures are few and far between. This leaves them exposed to the vagaries of the market, which leads to the glorifying of their ‘resilience’ bringing forth a low-level equilibrium.

Undoubtedly, the social costs of a pandemic are in the long-term and therefore, the need to learn and unlearn.

Originally Published as Coronavirus exposes the brittleness of China’s economic prowess in Moneycontrol.com, 18 February 2020

‘PRC Scholars React to India’s Contentious Kashmir Move’: An Analysis

One expert said that “Kashmir war escalation shows that India is a rogue state.”

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Dr. Hemant Adlakha, Honorary Fellow, Institute of Chinese Studies; Associate Professor, Centre for Chinese & South East Asian Studies, Jawaharlal Nehru University

Scholars in the P R China have reacted quickly and sharply to the Indian government’s sudden decision to remove Kashmir’s special status under Article 370 and reorganize the state into two centrally governed territories – Jammu and Kashmir being one, Ladakh the other.  In the views of most Chinese experts, India’s ‘unilateral’ move is not only ‘irresponsible and is source of tension in one of the most complex border disputes in the region’ but it (the Indian move on Kashmir) has the potential to ‘seriously derail’ the recent consensus arrived at between the president Xi Jinping and prime minister Narendra Modi.

Echoing Beijing’s official position on the status of the state of Jammu & Kashmir, the scholarly commentaries too describe the Kashmir region as internationally acknowledged disputed area between India and Pakistan; as also established in the 13 August, 1948 UNSC Resolution, 5 January, 1949 UN Resolution on India Pakistan Commission, and 1972 Simla Agreement etc. respectively.   

Interestingly, in sharp contrast with the section of the Indian English language national media – both the print and electronic – reports last Tuesday that “India and China (on Monday) seemed to have stepped back from allowing Kashmir to become an unmanageable irritant between the two countries,” just as the visiting Indian foreign minister, Mr. S. Jaishankar was holding talks with his counterpart in Beijing, op-ed columns in the mainstream Chinese media were screaming out with contradictory tones. Take a look at the sample: “As India scraps Kashmir’s special status, Pakistan’s dream lies shattered,” “India Revoking Kashmir Special Status is Violation of China’s Sovereignty: Don’t Expect Beijing to sit by idly,” “China will Never Let India’s Kashmir Power Grab Succeed.”

In addition, even as the Indian EAM was shaking hands with the Chinese vice president, Wang Qishan, a researcher at the Shanghai Institute of International Studies, SIIS, Mr. Liu Zongyi wrote in a signed syndicated column, “Due to India’s classification of Ladakh as a centrally administered area, the territory of the region, which was occupied by India in the western sector of the Sino-Indian border, will also have an impact on the stability of Sino-Indian relations.” Mr. Liu Zongyi also dons the position of a visiting research fellow at the Renmin University of China’s Chongyang Institute, an influential Beijing think tank on foreign affairs issues.

In another signed article on the same day, a Chinese scholar argued that India’s arrogant action has posed an increased security risk to the LAC in the western sector along the boundary between China and India. “China immediately and firmly opposed (India’s Kashmir move) not only because the Indian arrogant action will exacerbate regional tensions and pose a threat to China’s peripheral security, but also because the Indian action will render the LAC along the western sector of the boundary between the two countries increasingly vulnerable.” In the wild Indian imagination, the composition of the so-called Kashmir region includes the IOK – which includes Jammu, the Kashmir Valley, Baltistan and the China’s native land of Ladakh; the POK, the Chinese Aksai Chin as well as the Demchok region to the west of Aksai Chin – currently under dispute, the article claimed.    

Several Chinese commentaries view the controversial unilateral Indian push to change Kashmir’s status is aimed at fulfilling Modi government’s Hindu nationalist agenda. According to Liu Zongyi, “the Bhartiya Janta Party and its parent organization the Rashtriya Swayamsevak Sangh have always believed India has been at the forefront of resisting the Muslim invasion for 1300 years. The revocation of the Kashmir special status is the successful accomplishment of the BJP/RSS political agenda, i e, to strengthen Indian control over Kashmir, to alter Kashmir’s demographic nature, and to fully integrate it into the Union of India.”

The article, which first appeared on the Chongyang Institute website on August 12 and was quickly picked up by various Chinese news portals claims, the Kashmir move had been hatched based on a well-synchronized strategy, with keeping in mind both national as well as international factors. Speaking of the internal factors, the article contends that the Modi government wanted to fulfil its election promises to integrate Kashmir with India, which it had failed to implement during the previous five years on account of lack of majority in the Indian parliament. Likewise, several other Chinese commentators too have interpreted the parliamentary move on 5 August as an attempt by Modi, emboldened by the recent election victory, to have greater control over Kashmir, India’s only Muslim-majority state and the main source of conflict between India and Pakistan.

On the other hand, the external factor which largely contributed to the timing of the Kashmir move was the rapid progress achieved by the US and Taliban recently. Leaving India not only marginalized and isolated in the renewed Afghan peace process but also pushing India face the risk of losing initiative on both Afghanistan and Kashmir vis-à-vis Pakistan.  Besides, Chinese commentators over time have been highlighting India desperately trying to win over the US support to isolate Pakistan/Taliban in order to strengthen control over the entire Kashmir region. It is in this context these experts see a close link behind the Indian unilateral action in Kashmir to two more possible external reasons: to alert as well as draw the US attention to the fact that India alone has the right to determine what goes on in Jammu & Kashmir; and that India will not tolerate Pakistan to make use of the Taliban militants to unleash terrorism in Kashmir.

Furthermore, typically least surprising, not one Chinese commentary so far has voiced concerns such as total clampdown on democracy in Kashmir, closing down of schools, tourists evacuation, cutting off internet connectivity, and putting some of the local political leaders under house arrest etc.; on the other hand, what is also noticeably absent in the Chinese commentaries are the worldwide heightened concerns of both India and Pakistan being the nuclear weapon possessing neighbours. Neither China’s leaders nor the experts/scholars have indicated worrying signs that any escalation might push the two South Asian hostile neighbours ‘over the edge’ and start a conventional war that might well grow into a full-on nuclear conflict. 

Finally, as already mentioned, the Chinese concerns are largely centred on how Pakistan is going to equip itself both diplomatically and otherwise to successfully thwart off the arrogant Indian move in Kashmir; whether the immediate counter measures the Imran Khan government has announced would exercise any impact on India – measures such as to downgrade diplomatic relations, to cut off economic and trade ties, to put a ban on the Indian movies, to deny air space access over Pakistan to the Indian air flights and so on. A few Chinese scholars did however warn India of serious consequences of carrying out ‘aggression’ over the Chinese sovereign areas in the so-called Union Territory of Ladakh. Likening India’s highly contentious move in Kashmir to the behaviour of a rogue state, one commentator questioned: India has been dreaming of becoming a UNSC permanent member, does India aim to achieve this by deliberately violating the UNSC Resolutions and by trampling on the authority of the UN and the Security Council?

Discovering My Father Artist Xu Beihong’s Experience in Santiniketan, India

Xu Fangfang

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My visit to Santiniketan, India, in January 2019 was to continue the journey my father artist Xu Beihong had started there between 1939 and 1940. At the invitation of the Indian poet Rabindranath Tagore, Xu Beihong went to India at the end of 1939, holding an exhibition at Visva-Bharati and another in Calcutta in the following year. Rabindranath Tagore had established Visva-Bharati to offer the studies of all the components of Eastern civilization in one place and Chinese civilization was one of Tagore’s major focuses. A most influential Chinese painter and teacher, Xu Beihong came to Santiniketan as the first Chinese visiting professor of Kala Bhavana, the art school at Visva-Bharati, which had been eager to get a broad view of Chinese art. He lectured and demonstrated Chinese ink brush painting and calligraphy to Kala Bhavana students.

Xu Beihong (1895-1953) is widely known as the father of modern Chinese painting. Born into a poor family in Yixing, Jiangsu Province, he learned Chinese classics and traditional Chinese painting from his father, a self-taught artist.

One of the first Chinese art students to study in Europe, Xu Beihong in the 1920s graduated from the Ecole des Beaux Arts. Returning to China in 1927, he successfully integrated Western painting methods and techniques with traditional Chinese painting in order to develop Chinese painting. Xu Beihong pioneered China’s art education. From 1927 until his death in 1953, he trained several generations of Chinese artists.

Admiring Xu Beihong’s art, Rabindranath Tagore wrote an introduction to Xu’s exhibition. In response to Tagore’s welcome address, Xu Beihong said: “Santiniketan is a place which corresponds to my ideal of a center of art and culture. The whole world should make a pilgrimage here in order to breathe the joyful atmosphere of creative endeavour undertaken here under the direct inspiration of India’s great poet. My visit here is that of a pilgrim. I have come not to give but to receive the great gifts that India may have to bestow upon my country and people as she did in the days gone by.”

Now I understand why my father made such a comment. Rabindranath Tagore’s poetic lines, his sensitivity to the beauty in nature and his ability to capture the soul of a human being really touched my heart. Tagore’s creativity made Visva-Bharati such a vibrant place. The short, yellow-colored buildings with light grey windows appeared lively. The dark-red leaf design patterns on the pillars and around windows suggest a sense of growth, symbolizing the intellectual growth of students. I hear these design motives have remained since 1940 or earlier.

Besides observing cultural activities and the magnificent landscape of the Himalayas and Darjeeling, which are reflected in his works, Xu Beihong interacted with outstanding cultural figures including the Nobel laureate Tagore and Mahatma Gandhi. Xu Beihong was moved by Tagore’s sympathy with China’s War of Resistance and his firm denunciation of the Japanese invasion of China. In his memorial speech for Tagore in 1941, he praised Tagore’s love of humanity that resonated in the whole universe. Describing his meeting with Gandhi on 17 February 1940, Xu Beihong wrote: ‘Today I felt truly honored to live with the soul of all India’.

This rich experience enabled Xu Beihong to create during his year of residence in India, a great number of masterpieces that exemplify the pinnacle of his artistic career. These include Portrait of Rabindranath Tagore, Portrait of Mohandas Karamchand Gandhi, The Foolish Old Man Who Removed the Mountains, depictions of the Himalayas and his famous ink brush paintings of horses. After his experiences with the horses in India, the horses he painted exhibit noticeably greater vigor.

There are nine original Chinese ink brush works by Xu Beihong at Visva-Bharati, including two in Rabindra Bhavana, the university museum, and seven in Kala Bhavana’s Nandan Museum. Among these works, Portrait of Rabindranath Tagore has the highest artistic merit. It is Xu Beihong’s representative Chinese ink brush portrait based on his many sketches of Tagore. A similar painting of Rabindranath Tagore is in the collection of the Xu Beihong Memorial Museum in Beijing. The accomplishment of this Chinese ink brush portrait is comparable to that of a Western oil portrait from life. Such a portrait from life revealing an individual’s facial expression and capturing his creative moment was unique in Chinese ink brush painting at the time it was done. I think that Xu Beihong must have given this portrait of Rabindranath Tagore to Visva-Bharati to honor his friendship with Tagore and also to serve as an example for the students to learn from.

To help research on Xu Beihong, I deciphered the inscriptions and seals on all the works by Xu Beihong in the twin museums’ collection and provided translation. The implications of these inscriptions and seals had not been known to scholars before. I also offered suggestions to both museums concerning preserving their fragile ink brush works by Xu Beihong so future generations in India and around the world will be able to understand and appreciate Xu Beihong’s art.

During my visit, Nandan Museum held an exhibition of paintings by Xu Beihong and other Chinese artists. Watching a Kala Bhavana professor and his students discussing the paintings at the exhibition, I was happy to share with them how Xu Beihong’s animal paintings express deeper meanings through the use of analogy implied in his inscriptions and seals. On his painting The Horse, he inscribed: “November 1940. Beihong painted this to congratulate Elder Tagore on his recovery from his illness. Gentle breeze and beautiful sun. The celestial and human worlds were celebrating.” Xu Beihong conveyed his happiness for Tagore’s recovery through this spirited horse and the artist’s inscription. One of the seals says: “Brilliant and Fluid,” expressing the joy through fluid brushwork.

Xu Beihong had received strong support for his exhibition in Calcutta, initiated by Rabindranath Tagore and held under the joint auspices of the Indian Society of Oriental Art, Calcutta, and the Sino-Indian Cultural Society, Santiniketan. Nandalal Bose, principal of Kala Bhavana, wrote an appreciation for the exhibition catalogue while another famous Indian artist Abanindranath Tagore opened the exhibition, which included among the 206 artworks Xu Beihong’s representative Chinese ink brush painting Jiufang Gao, Horse Judge and his oil history painting Tian Heng and His Five Hundred Warriors. Xu Beihong’s comprehensive exhibition strongly influenced artists and art lovers in India. He donated the entire proceeds from the exhibition to help alleviate the suffering of refugees driven from their homes in Japanese-occupied areas of China.

To learn more about my father’s experience in Santiniketan, I visited Professor Tan Yunshan’s old house behind Cheena Bhavana where Father had stayed. Tan Yunshan was founder of Cheena Bhavana. The earth color of the house is consistent with the design of other buildings in Visva-Bharati. The simplicity and openness of the architectural design allow ample space both inside and outside the house, which has several entries. I imagined Father walking in the morning around the open space next to the house, observing the large trees and birds carefully for his creative work. He made many studies of the red flowers on the huge silk-cotton trees, one of which grew in front of the Chanda house. Anil Chanda, Tagore’s secretary, and his wife Rani Chanda became Xu Beihong’s close friends. I also imagined Father chatting with his host Professor Tan in the evening, sharing his personal stories and his concerns for his country suffering from the Japanese invasion. Now the people in that once bustling house are gone, leaving only the old trees and birds to reminisce about the people and events that had taken place there.

In my lectures at Visva-Bharati I shared my understanding of Xu Beihong’s art, his Indian connection and my memoir Galloping Horses: Artist Xu Beihong and His Family in Mao’s China. Faculty and students appreciated my insight into Xu Beihong’s art and how his family and legacy had survived the turbulence of Mao’s ever-changing policies, which dictated the direction of art and music from 1949 through the devastating ten-year Cultural Revolution as described in my memoir. Students told me that I had enriched their experience. At the same time, I received inspiration from the creative environment of Visva-Bharati as my father had received in 1940. Viewing Father’s works in Santiniketan was like seeing his life experience in front of me. I felt rewarded to have contributed to Tagore’s Visva-Bharati as my father had done three quarters of a century before.

I appreciate the help from Dr. Tan Chung, Chameli Ramachandra, Srila Chatterji, and other people in Santiniketan.

The dance of dualities in the Chinese Social Credit

Unlike the conflicting nature of dual forces in western philosophy, traditional Chinese philosophy manifests this duality in the form of complementary and balancing forces exemplified in the Yin-Yang.

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Nishant Dilip Sharma, Research Intern, Institute of Chinese Studies, Delhi

Dualities have always held a prominent place in traditional Chinese philosophy. Unlike the conflicting nature of dual forces in western philosophy, traditional Chinese philosophy manifests this duality in the form of complementary and balancing forces exemplified in the Yin-Yang. The way in which the Chinese government has gone about experimenting and implementing the infamous Social Credit System in China is another duality at play.

What is being seen as the emergence of an Orwellian “Big Brother” age in China, is being carried out in several cities through a number of pilot projects running on a dual ‘carrots & sticks’ model. Just like any other ‘reward-punishment’ scheme, this programme offers certain incentives (carrots) to people complying with the expectations of the governing body and at the same time, has punitive sanctions (sticks) in place for non-compliance. Interestingly, the quality of the carrots and the size of the sticks has not been uniform across all pilots.

This arises from the fact that the implementation of pilot programmes is being undertaken in a two-pronged approach. At one end are the Government run mandatory SCS programmes that are operational in more than 43 Chinese cities. At the other end, there are the corporate-run Social credit systems. Unlike the Government SCS programmes (GSCS), the corporate ones (CSCS) are not mandatory. The CSC pilots do offer virtual and monetary rewards to their customers, however the real intent is to eventually become incorporated with the government’s plans. This way the corporate in question remains in the forefront when SCS is rolled out in a more comprehensive measure. Speaking of the sticks, punishments are harsher in GSCS than under CSCS. The carrots and sticks in the GSCS are in the form of ‘red-lists’ and ‘black-lists’ respectively. While one’s name in the ‘red-list’ would mean a special honor and privileged/subsidized access to public services, a name in the ‘black-list’ would mean lesser privileges or denial of certain privileges. This could mean low internet speed, ban from traveling, denial of bank loans, public naming and shaming, etc. In short, one’s social credit scores could have a great impact on his/her routine life and social reputation.

In a country which bears the tag of the most populous nation on Earth, such measurement of reputation scores for each individual is no small undertaking. This is accomplished through the creation of a systematic surveillance state where big data and artificial intelligence play a major role. Each camera captures the movement of every face and small offenses like jaywalking or walking your dog without a leash could result in an immediate fine from the government. Thus, surveillance in the eastern industrialized towns is associated more with governance and has helped bring down law enforcement costs and many governance issues.

In contrast, state surveillance in Xinjiang and Tibet is employed to address security concerns. Surveillance cameras here snoop into the personal lives of the inhabitants to stamp out any cultural expression. Any sign of resistance opens up the gates of re-education camps, the insides of which many have seen but few have come out to tell the story. Here state security is a priority while separatism is viewed as evil and surveillance becomes a tool. This dual nature of surveillance, that of governance in the eastern region and that of security in the western region, is another duality present in the Chinese system. This duality, however, begs to question the coherence of what China plans to achieve with a full-scale rollout of the SCS model in the entire Mainland China, which could be up and running as early as 2021.

These dual objectives, dual implementation models, dual outcome conditioning, raise multiple questions: Will China be successful at creating a reputation state amidst the incongruities that exist in China? The answer seems to be hooked to a second question: Will China be willing to respect the socio-geographic disparity present between the historically separatist western regions and the presently thriving eastern industrial hubs?

One way of doing so would be to prevent any punitive sanctions and credit reductions on the grounds of cultural suppression. A conundrum in the eastern region could be credit rating reductions caused due to systemic failures, human errors, or corrupt bureaucracy. As remediation mechanisms, legislations are being put in place to prevent such reputation harms. Shanghai’s local credit legislation passed in 2017 on the “right to be forgotten” provides a much-needed right to credit restoration and a reasonable requirement on administrative agencies’ query over citizens’ social credit information.

Such remediation mechanisms are also extended to cover data protection and norms for safe collection, processing and storage of personal data. These measures are limited to eastern cities like Hubei, Shanghai, and Hangzhou. The lack of such legal remedies in the GSCS pilots being run in the western region calls for a systemic shift in the way the pilots are being conducted. More polarized developments in the way the pilots are conducted could likely leave the western inhabitants estranged and brew discontent if the policy is applied without systemic planning and West-specific trials. Perhaps it’s time for the policymakers to take a hint from their traditional philosophies and create more balancing dualities than conflicting ones.

China’s Global Influence in the Film Industry

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Preethi Amaresh, Former Research Officer, Chennai Centre for China Studies (C3S)

China’s rise is the economic story of the 21st Century and the entertainment industry is no exception. Cinema was introduced in 1896 in China.[i] The film industry is viewed as part of China’s modernization process and with the global influence wielded by the country’s economy, the rise of “cultural industries” in China is seen as the next step on a path from a developing nation to a world power.

Before the 1949 revolution, China had a vibrant film industry. There were studios in Shanghai – the city was known as the Hollywood of China – which made comedies, romances and melodramas on an almost weekly basis, which were very popular with domestic audiences. But during the Cultural Revolution, the ruling Communist Party of China under Mao Zedong came close to destroying Chinese cinema. Soon after the Cultural Revolution the film industry again flourished as a medium of popular entertainment. [ii]

With China’s liberalization in the late 1970s and its opening up to foreign markets, commercial considerations made its impact in the post-1980s filmmaking. Fifth-generation Chinese filmmakers who had graduated from the Beijing film academy   sought to popularize Chinese cinema abroad. Continue reading “China’s Global Influence in the Film Industry” →

A Case for the Useless and Things Unsaid

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Cidarth Sajith, Research Intern, ICS

The 2012 documentary ‘The Act of Killing’, in which the perpetrators of the 1965 anti-communist purge of Indonesia, re-enact and dramatize their killings is not only held by many as an audacious documentary that oversteps into the obscene due to the very gleefulness with which the protagonists oblige, but also draws consternation over the impunity and reverence with which they are held. Nevertheless, it earned an Oscar nomination and subsequently managed to reignite the debates over Indonesia’s denial and reluctant embrace of its past. But, what makes the documentary truly fascinating and relevant is how it captures the unravelling psychosis of its protagonists, their fractured realities and most importantly, what art and theatre portend for societies reeling under trauma and supressed memories. Continue reading “A Case for the Useless and Things Unsaid” →

Health and Wellbeing in the Context of the 19th Congress of the CPC

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Madhurima Nundy, PhD, Associate Fellow, Institute of Chinese Studies

The political report delivered by Xi Jinping at the 19th Congress of the CPC is open to analysis and many interpretations. Indeed, it is a lengthy and comprehensive report where Xi attempts to cover all aspects of development in the last five years and challenges that face China today, apart from his take on socialism entering a new era. Health and wellbeing of the population is an integral component of human development which gets articulated in various sections.

It is accepted universally, that the determinants of health and wellbeing are not restricted to access to health services alone but includes social, economic, environmental and cultural factors that influence the health of the population. As a prelude to his speech, Xi gave an overview of the overall socio-economic development and that 60 million people have been lifted above poverty. Continue reading “Health and Wellbeing in the Context of the 19th Congress of the CPC” →